Showing posts with label Waldo Faldo. Show all posts
Showing posts with label Waldo Faldo. Show all posts

Tuesday, February 28, 2017

My 28 Favorite Fictitious Black People

A heartfelt celebration of the greatest dark-skinned people who never actually existed. 


By: Jimbo X
JimboXAmerican@gmail.com
@Jimbo___X

Every February, just about every website out there not operated by neo-Nazis scrambles to put together some kind of cloying "Black History Month" retrospective. Even the nichest of blogs try to cobble together something that highlights the impact/significance of black individuals on whatever random bullshit they cover, even when there's hardly any racial connections to work with whatsoever. Case in point? This dude who year in, year out, desperately tries to tack on a "Black History Month" angle to anime culture

Well, we here at The Internet Is In America are far, far beyond such half-hearted, half-assed displays of cowardly, politically-correct tokenism. By golly, if we're going to celebrate black people, we're going to go all out and celebrate black people as if we actually were black people (you know, because black people are known for being among the most festive of ethnic groups.) But why draw up yet another boring ass listicle highlighting why Martin Luther King, Jr. was literally better than Jesus and reminding people that a black dude invented peanut butter (even though some French Canadian fruit already had a patent on it?) Malcolm X and Booker T. Washington already get enough acclaim from us as it is, so howzabout we focus on that oh-so unsung, forgotten brotherhood of brothas' who exist solely in the realm of fiction?

If you ask us, make-believe black people deserve far more recognition, especially in this bitterly divided political climate. Sure, sure, the following pioneering black folks may not have corporeally impacted the world around us, but they sure as shit made an impression on ALL of our collective pop cultural upbringings. If blackness were a brand, consider the following 28 individuals to be among the best spokesmen the world of entertainment could ever hoist upon us - the melanin-challenged and the melanin-unchallenged, alike.  

So here's to you, unheralded fictitious black characters - this is a token of appreciation long overdue for both you and your peoples

01. Waldo Faldo (Family Matters) 


I've said it time and time again; Waldo Faldo was the absolute best thing about Family Matters, and considering this was a show that has an evil ventriloquist doll as a recurring character and people using the teleport pod from The Fly to turn into Bruce Lee clones so they can beat up drug runners easier, trust me, that's saying something. Give actor Shawn Harrison (who hasn't really done much of anything since the show got cancelled) all the credit in the world, because he absolutely killed it playing the Bizarro retard to Steve Urkel's boy genius Lex Luthor. It's hard to pick just one memorable Waldo moment from the show, so instead, I'll just recount my two favorite Waldo-isms: the time he took Laura to go see JFK (pronouncing it as "jif-kuh") and when after a bully told Steve to "put his money where his mouth is," he quickly interjected "don't do it, Steve, money's dirty!"

02. Arnold Drummond (Diff'rent Strokes) 


Diff'rent Strokes might just be my favorite sitcom ever, and a lot of that has to do with the little ball of delightfulness that was Arnold Drummond. Played by the greatest black midget actor of all-time (fuck you Emmanuel Lewis) - the inimitable Gary Coleman, who I think was about 40-or-something at the time the show was on - the character brought such an admirable air of pluckiness to the oft-heavy handed program, offering much-needed naivety and comedic relief whenever his best friend got molested down at the bike shop or his sister got abducted and sexually tortured by a guy who said he was an astronaut. Pretty much EVERY episode of Diff'rent Strokes holds up incredibly well today, making it one of the few shows from the 1980s that's not only watchable, but watchable in a non-smarmy, post-ironic way. And you can attribute most of the show's staying power to one thing, and one thing only - our adorable little buddy Arnold.

03. Demon (Friday the 13th: A New Beginning


Demon is my favorite victim in the entire F13 canon and don't nobody else even come close. Portrayed by Miguel A. Nunez, Jr. - yes, the same guy who played Spider in Return of the Living Dead, Dee Jay in the live-action Street Fighter movie and was the titular character in Juwanna Mann - Demon is a dude who lives in a trailer with a refrigerator filled with enchiladas, pizza and eggrolls who says "you're gonna' get it, bitch" to his girlfriend while she rocks him back and forth in a tin outhouse. Of course, this being a Jason movie and all, things don't exactly end well for him after he smokes weed and takes a shit will singing "ooo, baby" over and over again. Long story short? Let's just say the kind of penetration he gets prolly wasn't the kind of penetration he wanted.

04. Magneto Jones (Hamburger: The Motion Picture


Holy shit, if you've never seen Hamburger, you need to click out of this nonsense, mosey on over to YouTube and watch it right freakin' now. There are literally 9,000 things to love about this movie - from the scene where an old woman tells a drive-thru speaker "fuck off, pickle" to the part where Dick Butkus (yes, that Dick Butkus) calls a black cop "pecker cheese" and tells him to go pick up his check down at the welfare office to the grand finale where two dozen 400 pound-plus fast food patrons get diarrhea simultaneously. Alas, even in a movie jammed pack with highlights, the absolute best thing about Hamburger has to be Chip McAllister's performance as Magneto Jones, a Jermaine Jackson wannabe who's getting a free edumacation at Hamburger U just so the parent company won't get hit with a civil rights suit. Sure, he spends most of the movie handcuffed and kept in lockdown, but at least they let him out of bondage long enough to participate in this beautiful dialogue exchange:
Fred Domino: "All right, who ordered 60 Double Buster Burgers?"
Magneto Jones: "That fat motherfucker right there. That fat motherfucker right there. Them two giggling twin motherfuckers right there. And that skinny walnut headed motherfucker right there ordered 72."
And if you don't laugh your ass of when he receives a lifetime achievement award the minute he earns his diploma, you sir or madam, are not fit to live in our society.

05. DJ Professor K (Jet Grind Radio) 


The mastermind of the single greatest soundtrack in the history of video gaming (well, in-universe, anyway.) Kinda' sorta representing the post-corporate-apocalypse-takeover version of Samuel L. Jackson's character in Do The Right Thing, DJ Professor K operates the titular Jet Set Radio pirate station, which - in addition to slinging' the dopest electro-funk, J-Pop and indie hip-hop you'll find anywhere - also gives you crucial tips and info on overthrowing the man in your rocket-powered rollerblades. Considering how much I love both Jet Grind Radio and Jet Set Radio Future, I suppose you only imagine my exuberant joy when my girlfriend flipped on How To Get Away With Murder and the fucking detective WAS the same guy that used to scream "Rapid 99, gotta' FLAG!" on my Xbox. 

06. Roland Kincaid (A Nightmare on Elm Street 3, 4) 


Kincaid is EASILY the best thing about the Elm Street movies, and that includes Robert Englund. Hell, if New Line Cinema had any sense, they would've had Kincaid break Freddy K in half Bane-style in the first 10 minutes of part 4 and the rest of the franchise just woulda' been him walking around all day calling people "motherfuckers" and telling him how bad he's gonna' whup their asses for trivial offenses. Ken Sagoes - far and away the greatest alumni of Kennesaw State University, and it's not even close - also gets bonus points for portraying yet another iconic black character, Darryl on the short-lived What's Happening Now!

07. Carl Carlson (The Simpsons)


You know, Carl Carlson may in fact be the most flattering depiction of the working class black man in any realm of fiction. Totally devoid of the hackneyed, desperate black mannerisms most African-American stock characters are saddled with, Carl actually comes off as a fairly relatable and respectable blue collar worker (despite canonically holding an advanced degree in nuclear physics) who is far more professional than any of his white coworkers. And if geographical diversity is one of those things you're keen on, the character may indeed be the only pop culture character in history ever described as "African-Icelandic."

08. Clubber Lang (Rocky III)


Forget Apollo Creed, forget Ivan Drago and forget Tommy "Machine" Gunn - the best Rocky "villain" has always been James "Clubber" Lang. Unforgettably portrayed by Mr. T - who is basically just playing a slightly more jazzed up version of B.A. Baracus - Lang actually had a pretty convincing argument for hating Rocky ... because the media was showering him with praise for being "The Great White Hope" and he kept ducking him, knowing he was the far better boxer. Sure, threatening to rape Rocky's wife at a press conference was a pretty bold move, but hey, it DID get him that championship bout, didn't it? That it took an ass whupping from Hulk Hogan and Rocky literally learning how to fight black to get the belt back shows you just how daunting a rogue this Lang fellow really is

09. New Jack (ECW Wrestling)


After making his debut in Smoky Mountain Wrestling - where he tried to win matches by "affirmative action" (that being, a win via two-count) and feuded with a guy named "The Dirty White Boy" - one Jerome Young packed his bags to Philadelphia, where he was soon transformed into a "singles" 'rassler whose entire shtick revolved around hitting people with staplers, cookie sheets and old VCR units while Dr. Dre and Ice Cube blared over the P.A. system for the duration of the bout. His career highlights include almost murdering a teenager before a live audience, LITERALLY trying to kill another wrestler by trying to impale him on a ringpost, getting arrested for stabbing a dude FOR REAL during a match and this one time he legit  beat the shit out of an old dude with a baseball bat while disgruntled Caucasian fans kept calling him a "nigger.

10. Tom Johnson (Shenmue)


Granted, a Jamaican hot dog vendor in rural Japan in the late 1980s may sound a little, uh, unlikely, but there's no denying the affable food truck owner isn't one of the most memorable characters from the Dreamcast classic. After all - the dude did let us borrow his ghetto blaster to play flowery Japanese pop music and taught us how to spin kick glass beer bottles, didn't he?

11. Freddy "Rerun" Stubbs (What's Happening!!)


You know how they talk about actors having their lives ruined by one acting role sometimes? Well, Fred Berry's life was totally destroyed by What's Happening!! and its less heralded late 1980s sequel What's Happening Now!! Until the day he died in 2003, he had to live in the inescapable shadow of "Rerun," the rotund, red beret sportin', hamburger-shirt wearing comedic fat-ass who ran around the hood yelling "hey, Hey, HEY!" and getting arrested for trying to bootleg Doobie Bros. concerts. But come on, was it really that bad of a hand in life if it produced one of the better black family sitcoms of the late 1970s? Eh - probably not, but at least he turned out better than Todd Bridges, I suppose. 

12. Grandma Turner (Fight For Your Life)


The only female African-American to make the countdown, but trust me, she fucking earned it. Longtime The Internet Is In America readers should already know plenty about the immortal blaxploitation/home invasion classic Fight For Your Life, and in a film LOADED with memorable moments, she might very well be responsible for the single best part of the entire movie. Say it loud and say it proud, kids: "don't move or I'll blow your motherfuckin' balls off!"

13. Jericho Jackson (Action Jackson)


Think, for a moment, just how incredible of a career Carl Weathers has had. What would certainly be the career highlights of a good 99.8 percent of the rest of the actors out there - roles like Dreamer Tatum in Semi-Tough - have all but been forgotten because of his even better performances in movies like Predator. Alas, as good as his portrayal of Apollo Creed may have been - and it's the epitome of fuckin' timeless already - the absolute zenith of Weathers' career HAS to be his performance as the eponymous Action Jackson in 1988. I mean, goddamn ... just LOOK at the trailer! There's no way a movie starring Coach as the evil antagonist should be this awesome, but trust me - it is

14. Tommy Gibbs (Hell Up In Harlem)


Picking my favorite Fred Williamson role is sorta' like asking me to pick my favorite testicle. Honestly, I'm fond of all of 'em, but if I HAD to save just one Williamson flick from vanishing off the face of the Earth, it would have to be Hell Up In Harlem. Why? Because it has scenes in which protagonist Tommy Gibbs does all of the following:

a.) he hangs an Italian mobster in a noose and says "I'm about to send you to wop heaven"

b.) he forces another Italian mobster to eat soul food at gunpoint

c.) he tells a preacher's daughter "whenever you get tired of talking to the Lord, come find me" and, perhaps most hilarious of all ... 

d.) while being pursued by the mob, he literally stops dead in his tracks so he can impale a dude at the beach laying on a confederate flag towel, even though he had nothing to do with why Gibbs was being pursued and didn't actually do or say anything to him at all.

So yeah, I need to do a review of this one, like, ASAP. 

15. Griff (Married ... with Children)


Al Bundy is one of the greatest TV characters ever, but it seems to me his supporting cast doesn't get anywhere near the appreciation they deserve. Griff was definitely one of the show's more understated characters, a fellow fatty-hating shoe salesman who, in many ways, represented an even better comedic foil than Jefferson D'arcy. And holy hell, could that guy sing, too!

16. FUCKIN' Dolemite!


As with Fred Williamson, I'm tempted to just include every single character Rudy Ray Moore ever portrayed. Shit, if February had 30 days in it, I prolly would have gone on ahead and done stand-alone entries for The Disco Godfather and Petey Wheatstraw. Alas, whenever you hear the name "Rudy Ray," the first thing that SHOULD come to mind, of course, is motherfuckin' DOLEMITE, the revenge-obsessed, impromptu crude couplet-forming pimp who fought a drug runner in cahoots with city hall in his first movie and then ran around slapping fat racist sheriffs with his pimp cane in the sequel. Yeah, Dolemite has been in some subsequent sequels and spin-offs, but really, you're way better off just watching The Human Tornado five times a day. I mean, just generally, in life. 

17.2 Cold Scoprio (WCW Wrestling)


Although 2 Cold wrestled in all three major U.S. promotions throughout the 1990s, his most memorable work was definitely at the beginning of his career in WCW. Shit, who could forget that time he unveiled his Tumbleweed finisher at Clash of the Champions, or that AWESOME back-and-forth match he had against Barry Windham that, even now, is pretty much the best "underdog almost wins it" bout ever? Yeah, he had some decent bouts in ECW, but don't even bother with all that Flash Funk nonsense in the WWF. Also: 2 Cold is single-handedly responsible for Arn Anderson being alive right now (as well as Sid Vicious not serving a life sentence for homicide.) 

18. Black Manta (D.C. Comics)


I think my favorite thing about Black Manta (besides the fact that he breaks a whole bunch of misconceptions about the black community and buoyancy by being an aquatic-themed African-American villain) is that D.C. just arbitrarily decided he should be black one day. The character had been around for 25 years before they decided to give him a proper backstory, and holy shit, did they ever - by making him a Baltimore youth kidnapped and sexually assaulted by pirates who hates Aquaman simply because he didn't rescue him back when he was eight. And if you're thinking to yourself, "you know, there's no way anybody can come up with an even worse way to retcon his origin story" - they turned around and made him an autistic kid with an affinity for cold water whose beef with Aquaman is derived solely from his desire to hold the nonexistent mantle of "Ocean Master."

19. Morris FUCKIN' DAY!


Yeah, there were some good songs in there (not to mention it was hilarious as fuck watching Prince try to act tough) but the absolute best thing about Purple Rain HAD to be Morris Day. The part where he walks by Prince's dressing room right after his dad attempts suicide, then walks backwards just to ask him "how's the family?" before shucking and jiving his way out of the building is pretty much the consensus pick for funniest dick move ever in the history of anything. However, Morris probably put in an even BETTER heel performance in Graffiti Bridge, complete with one of the greatest moments in the history of the motion picture - the infamous "you know, this plant looks kinda' ... thirsty" scene.

20. Ned Tiese (Brotherhood of Death)


Brotherhood of Death is actually one of the better "serious" blaxploitation movies of the late 1970s, but pretty much the only reason anybody remembers it is because its trailer - its glorious, glorious trailer - was included upfront on the VHS version of Faces of Death II. 'Tis a shame so few people have ever actually seen it, because it really is a well-made and entertaining little B-movie opus. And the only thing more hilarious than watching black vigilantes use an armored school bus to fight the Klan is when it suddenly dawns on you that the main character is played by the same dude who played Dudley's dad on Diff'rent Strokes.

21. Martel "Too Sweet" Gordon (Penitentiary)


Fuck Star Wars, the greatest movie trilogy ever HAS to be the trifecta of Penitentiary movies. You might be thinking to yourself, "old Jimbo, buddy, how exactly can you make a movie about the same character being wrongly imprisoned for a crime he didn't commit THREE TIMES and still make 'em entertaining?" Well, for starters, you make the entire franchise revolve around championship inmate boxing, which - as anyone who watched the great 2014 documentary Champs featuring Bernard Hopkins can attest to - actually exists. Secondly, you toss in a super eclectic cast of side characters, including but not limited to Mr. T and immortal WWF midget 'rassler the Haiti Kid portraying a coke-addicted butthole rapist who lives in the sewer. But most of all, you anchor the whole damn thing around one Martel "Too Sweet" Gordon - played with inimitable pizzazz by Leon Isaac Kennedy, who might as well be the Sir Laurence Oliver of blaxploitation movies - as he battles trumped up murder charges in the courtroom and both steroided up Ernie Hudson and a homosexual drug kingpin who makes Milo Yiannopoulos look like Brock Lesnar between the ropes. 

22. Papa Shango (WWF Wrestling)


There's never been a more terrifying/probably racist pro 'rassler than Papa Shango, and that's saying something when your competition also includes a fat black truck driver from Mississippi repackaged into a cannibal from Sudan with Lucky Charms marshmallows painted on his stomach. If you grew up watching WWF 'rasslin in the early 1990s, you no doubt have PLENTY of memories of this voodoo warrior, whether it was that time he set The Ultimate Warrior's boots on fire or made black sludge pour out of Mean Gene's sleeves on live television. Eventually, the suits at the WWF decided that showcasing a black man as a supernatural Haitian zombie prolly wasn't the most P.C. thing to do, so they did what any company looking to repair its image among minorities would do: the rebranded him as a street fighting thug with MMA skills and later, as an actual pimp.

23. "Black" Roper (Double Dragon)


There weren't a whole lot of black people on the NES, and even in the basketball and football games, they were usually more reddish-purple than any actual hue a black person has ever been. In that, the "black" Ropers from Double Dragon deserve some sort of mention for breaking the 8-bit color barrier. Sure, sure, they may have been nothing more than simple palette swaps of the "standard" Roper enemies, but hey - cultural representation has to start somewhere, even if it is in the form of barrel-throwin' ruffians. 

24. Kel Kimble (Keenan & Kel)


Let's end the argument right here and now - Kel was ALWAYS funnier than Keenan. Yeah, yeah, I know everybody remembers him from Good Burger, but the BEST incarnation of the character had to be the (slightly) more nuanced version featured on the mid-'90s sitcom Keenan & Kel - and the fact that he's the only black person I've ever heard of that prefers orange soda to the purple stuff is reason alone to include him on the countdown.

25. Russ Tyler (The Mighty Ducks 2, 3)


But, we will give Keenan his proper, dap, too. Perhaps noting that the original Mighty Ducks movie was - how to put it - whiter than a mayonnaise blizzard, the suits at Disney reckoned they needed to incorporate an African-American angle into their hockey comedy franchise. The end result? A scene where a bunch of inner city L.A. black kids are using a basketball court for a rousing game of roller hockey set to a song with the lyrics "getting' bent and bent and as a I puff on a dankt" and "uh oh, I crave skin, rip shit, find a honey to dip it in" with our main man Russ Tyler introducing his lethal "knuckle puck" technique ... which, of course, is illegal as fuck in real hockey, but seeing as how there's a redneck who literally "lassos" an opposing player in the movie's climactic championship game, it's not even the stupidest thing in the flick to complain about.

26. Peter (Dawn of the Dead)


While Night of the Living Dead gets all the credit for being the first horror film to (however inadvertently) drudge up the topic of racism, I think we can all agree that the black hero in Dawn of the Dead was way more memorable and likable - yes, even if he did look way too much like O.J. Simpson for my comfort. He's really the only character in the movie that seems to have his shit together, and he gives us the best line of the entire flick (you know, that whole spiel about "when there's no more room in hell, the dead will walk the earth.") Also, that look he gives that one bitch early on in the movie when she asks him if he has "real brothers or street brothers" is pretty much the funniest thing ever. 

27. Skeeter Valentine (Doug)


OK, so technically, Skeeter is more turquoise than chocolate, but goddammit, those mannerisms were straight up Afro-American. Even as a kid I knew that Doug's best pal was supposed to be black, even if the show took place in a world where purple and orange skinned motherfuckers were everywhere. And hey, don't accuse me of seeing things that aren't actually there - the creator of the show recently came out and said Mr. Valentine was indeed canonically a negro

28. Shaun King (The New York Daily News)


And last but not least, we have the greatest cultural satirist of our day, Mr. Shaun King. Shaun here has delighted readers coast-to-coast with his hilarious post-post-postmodern minstrel show, with only the absolute dimmest of the dim not picking up the surely intended comedy of a man whiter than lite mayo proclaiming himself a leader of the Black Lives Matter movement. Not since the heyday of Amos 'n' Andy has a white performer done so much for the art of racial imitation, and not since the heyday of Andy Kaufman have we seen anyone so committed to living out a public charade that anybody with two brain cells to rub together can figure out is a complete and utter ruse. There's no doubt about it - when it comes to fictitious black people, Shaun King is both our society and our era's literal poster boy, and to think anything less of him, naturally, is plumb preposterous.

Wednesday, February 27, 2013

A Tribute to the Awesomeness of “Family Matters”

Remembering one of the greatest…and weirdest…family sitcoms of all-time


Nowadays, the acronym “TGIF” doesn’t mean very much, but back in my day, it was four of the most revered letters on the planet.

In hindsight, nobody’s going to call ABC’s Friday block of “family-friendly” programming in the 1990s great television - “Full House” was no “All in the Family,” of course - but it was pretty hard to knock a majority of the line-up. Over the course of an hour, you got Wonder Years Lite AND a sitcom consisting entirely of tyrannosaurus puppets; if you can complain about something like that, you sir or madam, have no business in our society.

With February representing Black History Month here in the States (insert your trite, clichéd joke about the shortest month of the year being the one allocated to African-American citizens), I figured it was only fitting that we celebrate our black sitcom heritage by revisiting what was probably the best overall TGIF program of them all - “Family Matters.”

I don’t care what any of you TV elitists may think, this show was one of the ten greatest comedies to ever air on American television. Even now, the show remains pretty enjoyable, and it’s practically a given that the show will have legs far into the 21st century. It’s not that “Family Matters” is a timeless show, by any stretch - in fact, it’s one of the most obviously dated sitcoms of the 1990s - but the absolute insanity of the program gives it a certain quality that makes it entertaining and enjoyable in spite of its outdated trappings.

In the spirit of remembrance, I decided to revisit the show, and I pinpointed five very particular reasons why I thought the show was, and still is, so entertaining and enjoyable to this very day…

Reason “Family Matters” was Awesome Number One:
For a family sitcom, it was absurdly violent. 

The inherent “morality” of “Family Matters” seemed to fluctuate from impossibly wholesome to almost subversively relative at the drop of a hat. In one episode, the show could go on a diatribe about the ills of teenage gambling by having Eddie Winslow get into trouble with bookies, only to have the dilemma resolved when Carl’s mother cons some dudes out of their moolah in a game of billiards. For a family anchored around a law-and-order-serving patriarch, the Winslows sure as heck had a subjective take on what constituted right and wrong behavior.

Now, as a law enforcement official, you’d think that the head of the Winslow clan would have something of a distaste for unlawful violence, but I’ll be damned if “Family Matters” wasn’t one of the most violent sitcoms of the decade. Hell, the show may have even had more per capita fistfights than “Married…with Children,” and that was an adult-oriented program featuring strip club visits as weekly plot devices!

It seemed like every other week, there was some sort of imminent threat from a gang in the community. In one episode, Eddie tried to defend Rachel’s honor by facing down a violent posse on his own, only to end up beaten into a bloody mess. So incensed, Carl was ready to go vigilante on the gang’s respective asses, until Steve was able to convince him to set up an elaborate (and probably illegal) sting operation instead. With violent beatdowns, paternal rage and plenty of law-enforcement moral ambiguity, you would think we were dealing with some sort of TV-M AMC procedural drama or something, but nope: this was something tons of impressionable 6-to-12-year olds were tuning in to see, every Friday night at 8 PM.

A recurring plot motif on the program involved bullying storylines, which all seemed to follow a similar pattern; uber-nerd Steve gets harassed by his classmates, and idealistic protectorate Eddie would swoop in and throw down like a boss to avenge him. Every now and then, we’d see a mild alteration in the formula, with Steve learning some sort of fighting trick or something and fending off his would-be attackers on his own. Give that man a towel, and I assure you, there will be some welted asses momentarily.


Perhaps the absolute most amazingly violent thing about the program occurred later on its run, when a wacky sci-fi plot device was introduced that saw Steve using some homemade gizmo to transform himself into a Bruce Lee facsimile. In a couple of different episodes, Steve managed to seek retribution by turning himself into the famed action star, and in case you couldn’t deduce it, a trail of kicked asses was soon to be blazed. Hell, there were even a few episodes in which Steve’s device turned Carl and a few kids into Jeet Kune Do destroyers; all of that stuff about child endangerment and police brutality, I suppose, flying out the window in the process.


Reason “Family Matters” was Awesome Number Two:
It tackled hard-hitting social issues, in the absolute most awkward ways imaginable.

While it’s not uncommon for sitcoms to occasionally address “serious” social issues every now and then, they way “Family Matters” went about tackling some decisively heavy material deserves special accolades. I mean, you have to have some SERIOUS chutzpah to go from having a story arc about teleportation machines and killer robots to episodes dealing with racism and gun violence, after all.

The two standout “serious shit” episodes I recall most are the aforementioned ones about firearm violence and racial intolerance. In the episode “Fight the Good Fight,” Laura decides to start a Black History Month program at her school; and then, she finds her locker defaced, by someone that, apparently, doesn’t necessarily like “the black folks.”


As the episode unfurls, a near race riot breaks out at the school, until Laura, inspired by her grandmother’s tales of heroically visiting a segregated library when she was younger, manages to stage a nonviolent protest that gets the school to support her program. All this hot and heavy racial stuff is going on, I might add, while a slapstick subplot about Carl trying to figure out how an old vacuum cleaner works is wrapped around the primary narrative.

As awkward as that episode was, it really doesn’t have shit on an episode titled “The Gun,” which revolves around Laura’s quest to obtain a handgun to defend herself from a roving gang of well-armed Amazons. After one of her friends gets capped at school, Steve decides that it’s time to make a stand against gun violence, by holding a firearm buyback program. Just try and watch the videos below without feeling a mild urge to scrub soap all over your exposed skin tissue.



Reason “Family Matters” was Awesome Number Three:
Three words: Waldo freaking Faldo. 

While “Family Matters” may have been Urkel’s show, there’s no denying who the program’s true legendary character was: Waldo Faldo, Eddie Winslow’s dim-witted best bud that seemed to have an IQ somewhere between that of a special needs child and an sea slug.

This “highlight” video speaks for itself, I do believe…


Reason “Family Matters” was Awesome Number Four:
Steve and Carl were the most ass-kicking comedic duo this side of Riggs and Murtaugh

When you look at the annals of great comedic duos - your Laurels and Hardies, Your Rens and Stimpies, your Beavises and Butt-Heads - I’d surmise that Steve Urkel and Carl Winslow deserve a spot in the pantheon of slapstick tandem greats. That, and the undercurrent beneath their rocky relationship is the stuff new-wave action flicks dream about.

When you really look at the two characters, what we are dealing with is the physical juxtaposition of law and anarchy. As a police officer, Carl clearly represents order and the social structure, whereas Steve - a borderline criminal genius - represents social chaos. Think of all of the times Steve has absolutely DESTROYED Carl’s property; I’m not sure what sort of insurance plan safeguards against nuclear explosions, but apparently, the Winslow clan bought as much of their coverage as they could get.


Steve, the insufferable embodiment of social anarchy (a parable for crime? Drug epidemics? Job outsourcing?), ALWAYS goads Carl into some sort of goofy predicament the assures much pain, embarrassment or financial setbacks for the Winslows. Whether he’s getting himself and Carl held hostage by international drug traffickers ("Random Acts of Science"), damn near destroying the Winslows’ entire house while coked up on diet pills ("Life in the Fast Lane") or signing the two up for shoot-fights against the Bushwhackers ("The Psycho Twins"), Steve seems to have only one consistent motive in life; the complete and utter torture of Carl Otis Winslow.

Steve and Carl’s adventures were more philosophically compelling than “The Dark Knight,” wackier than anything Bill and Ted ever got caught up in and consisted of more straight up, lunatic violence than Vincent Vega and Jules Winnfield’s combined “Pulp Fiction” romps times twenty. And that bizarre, strangely confrontational relationship didn’t just result in a ton of laughs; it pretty much carried the program for an entire decade.

Reason “Family Matters” was Awesome Number Five:
I’m still not 100 percent sure how a show that began life as a quasi-realistic comedy about a working class African-American family ultimately ended up becoming a wacky sci-fi series about a mad teenage scientist, time travel and killer ventriloquist dummies.

At one point in time, “Family Matters” seemed like it was going to be a relatively staid, lower-middle-class sitcom that touched upon a lot of contemporary urban issues. In most realities, “Family Matters” likely would have ended up a short-lived, Afro-centric comedy program, essentially a “lite” version of “Good Times” or “What’s Happening?” only with far more melodrama thrown in the mix. And then, halfway through the first season, a one-off character named “Urkel” was introduced, and like that, the program went from being a fairly “serious” sitcom to being arguably the most outlandish “real-world” program ever to grace our airwaves.

Looking back at the first season of the program, the series appeared pretty damn uniform - and formulaic - in content. There were episodes about Henrietta losing her job, a mother-in-law moving back in with the family and even an episode about a recent widow trying to move on with her love life. Despite some periodic goofiness involving hot air balloon rides and a drunken Urkel almost falling to his death, the second season content similarly remained largely by-the-book as for as sitcom elements went.


And then, as soon as season three begins, the absurdity kicked into high gear. The very first episode of the season was anchored around Urkel befriending a monkey, and by the second episode of the season, we already had jet packs being incorporated as plot devices. If there was a traceable “jump the shark” moment for the series that indicated a bold leap away from conventional sitcom fare, it probably would be episode 54 (episode 7 of season 3, for those that REALLY take their sitcom canon seriously), which was the introduction of the infamous “Urkelbot.” That stated, as goofy as the idea was, it was still quasi-viable as a real-world plotline; in later seasons, the appearance of an android with dance moves provided by that dude from “Breakin’” would actually prove one of the more believable storylines on the show.

Peculiarly, season four was a whole lot more down-to-earth as far as storylines went, with only the season opener - which featured Carl and Urkely duking it out on “American Gladiators” - continuing the ridiculousness of the previous season. With the introduction of Steve’s amorous, potion-borne alter-ego “Stefan Urquelle” in season five, I suppose you could say that was the point in the show’s lifespan where it completely broke away from reality, but for the next two seasons, the show remained mostly rooted in real-world physics and science and all that shit.

By season seven, though, the program had just flat out lost it, with episodes about Carl and Steve getting shrunken to two inches in stature and Urkel turning into a human lightning rod standing side by side with episodes about Laura seeing Steve naked and members of the family learning to tap dance. From there, utterly impossible plot points involving evil dummies, teleportation, super-aphrodisiacs and time traveling pirates become common plotlines for the program. I guess you could say there was some signs of transition from sitcom to sci-fi screwball comedy over the years, but it all happened so gradually that it’s hard to just come out and say that the show went off at the deep end at any precise point.


The very first episode of the show was about a rebellious teenage son trying to break curfew, and the very last episode of the series - nearly a decade later, I might add - concluded with that same character nearly getting killed in a “Heat”-style shootout while his next door neighbor gets stuck in the vacuum of space when a NASA expedition goes array. Comparatively, that’s like the final episode of “Seinfeld” featuring a ninja invasion, or the series finale of “Friends” ending with a sudden werewolf attack.

And by golly, it’s also what made “Family Matters” one of the most freakin’ awesome things that’s ever been put on TV, too.