Showing posts with label Stupid. Show all posts
Showing posts with label Stupid. Show all posts

Monday, March 28, 2016

Nine MORE Insanely Violent Pro Wrestling Matches!

A heartfelt celebration of the carnival of cruelty and the pageantry of pain, complete with attempted murder in front of a live audience, Japanese people hitting each other with household goods and enough animal abuse to give Ingrid Newkirk five heart attacks in succession. 



By: Jimbo X
@Jimbo__X

WrestleMania 32 is just a few days away, and on paper at least, it looks to be the weakest WM card in at least a decade. Triple H taking on Roman Reigns? Glorified backyard wrestler John Moxley against former UFC Heavyweight Champion Brock Lesnar? The Undertaker's 80-year-old-looking ass taking on Shane McMahon and his inability to throw authentic looking punches? That's supposed to be your marquee PPV for the entire year

Alas, while WWE's biggest show of the year is almost certain to disappoint, if you've got a hankering for some sublime in-ring carnage, all you have to do is point your clicker on over to the YouTubes and the DailyMotions and you'll bear witness to heaps of fundamentally absurd pro 'rasslin goodness. Sure, we've already covered some of the proletariat theatre's more befuddling and stomach-churning moments, but considering the sheer volume of wrestling madness out there (I could fill up an entire site with nothing but the batshit crazy things promotions in Japan are doing), I reckoned it was worth our collective whiles to trudge through the mass media abyss to unearth a few more sports-entertainment incidents that'll make you wonder why the divine being of your choosing hasn't smat the holy shit out of all of humanity by now. 

How inhumanely violent and/or idiotic can wrestling be, you may be pondering? Well, whatever your preconceived notions may be, I assure you - the bottom of the barrel is much, much worse than you'd ever liked to have known. 

So strap on your seat belts and turn off the part of your brain responsible for empathy, folks: it's time to revel in the absolute sickest, strangest and sociopathic recesses of the squared circle...

#09
New Jack exacts revenge on an old ECW adversary by literally trying to murder him in public


You really can't talk about absurd violence in professional wrestling without bringing up one Jerome Young, a "talented" grappler from Atlanta who spent a majority of his career wrestling under the ring name New Jack. Never really a performer too keen on the whole "skill" and "athleticism" stuff, his shtick primarily consisted of mercilessly pummeling the crap out of foes with sundry blunt objects while "Natural Born Killaz" played on a loop for 20 minutes. While New Jack - believe it or not, immortalized in the song "El Scorcho" by Weezer - has no doubt severely injured many an opponent (among other highlights, he legitimately beat a man half to death with a baseball bat, severed an artery on an underage wrestler and was actually arrested for stabbing another man in the middle of the match), probably the closest he has ever gotten to actually murdering another person on camera came at Xtreme Professional Wrestling's 2002 event Freefall. There, he was involved in a scaffold match with Vic Grimes, an old ECW chum who severely injured New Jack during the infamous botched "Danbury Fall" in 2000 (which, it should probably be noted, resulted in New Jack being literally brain damaged and permanently blinded in his right eye.) Sensing now was his time to exact revenge, New Jack proceeded to launch Grimes 30 feet off the scaffold above the ring in their XPW tilt, sending his follically-challenged adversary crashing through several tables, bouncing off the ring rope and nearly being decapitated in the process. Rather than downplay the incident as an accident as would any non-brain-damaged sort, New Jack was far from shy about telling anyone who would listen that he did it on purpose - going as far as to state that he actually was trying to kill Grimes in the 2005 documentary Forever Hardcore

#08
CZW ... where weed whackers are the biggest box office draw!



After Extreme Championship Wrestling went under in 2001, there was a big dearth in the North American garbage wrestling scene. Almost immediately, the northeastern indie promotion Combat Zone Wrestling rose to fill the void, complete with annual outdoor "deathmatch tournaments" that looked virtually indistinguishable from your garden-variety backyard 'rasslin set-up. With a cast of wrestlers somehow even less physically talented as ECW stalwarts New Jack and The Sandman, CZW in its early days had to really go for broke with the predetermined mayhem. Sure, we've seen barbed wire and fluorescent light tubes a million times, but say, have you ever seen a wrestler go after an opponent gasoline-powered lawn care equipment before? Such was the catalyst for the grand finale of CZW's first-ever Ultraviolent Tournament of Death in 2002, in which promotion hero Wifebeater (no, seriously, that was his name) broke out a weed whacker to finish off "Madman" Nick Pondo. The disturbing publicity ploy worked, however, as the wild and woolly incident immediately became an Internet hit and more or less put CZW on the map. Indeed, the iconic moment has more or less come to embody CZW as a whole, with the weed-eater finish being implemented time and time and time again ever since. 

#07 
CZW ... where hypodermic needles are fair game!



Of course, you can only watch people have their skin shredded off with lawn maintenance implements so many times before you are desensitized. With the weed whacker fu quickly losing its novelty, Combat Zone Wrestling had to come up with something fresh to freak out the masses - and since this is an industry where the working conditions routinely call for employees to be set on fire to earn a paycheck, I guess you could say the standard for shock had been raised and considerably. At 2009's Tournament of Death 8, grappler Thumbtack Jack (guess what his favorite office supply is?) decided to try something a little different in a contest against CZW owner DJ Hyde. In a "Jack in the Box" death match, Thumbtack brutalized his foe with the usual assortment of plunder - cinder blocks, glass window panes, your typical fare, really. But towards the end of the bout, however, he decided to break out a foreign object rarely seen in professional wrestling matches - a goddamn hypodermic needle, which he proceeded to shove through his opponent's cheek. Needless to say, the gruesome spot definitely made an impact on even CZW's hardened hardcore 'rasslin audience, with the medical instruments being trotted out by Thumbtack Jack in several subsequent matchups - including one bout where he decided to jam a syringe ALL all the way through both of his foe's cheeks and yet another where he stabbed his adversary with a hypodermic needle right on the sole of his foot

#06
Big Japan ... home of the ever-popular Crocodile Death Match!



Perhaps due to excess radiation levels, wrestling in the Land of the Rising Sun has always been much, MUCH weirder than 'rasslin in the states. Interestingly, this manifests itself both in more realistic strong-style bouts where the wrestlers more or less beat the dog shit out of each other for real AND absurdist, self-reflexive comedy matches that are essentially satires - if not outright condemnation - of the pro wrestling biz as a whole. And then, there are bouts like this 1998 Big Japan Wrestling contest, which manages to be both irresponsibly violent and hilariously idiotic. For the most part, this bout featuring Shadow WX and Mitsuhiro Matsunaga - the latter kinda' looks like old-school WWF grappler The Ultimate Warrior, if he didn't take steroids and his diet consisted primarily of Hot Pockets - is  your standard death match. We've got people being crushed on barbed-wire wrapped boards, dudes being choked with baseball bats and a real crowd-winner involving a body slam onto a bed of razor-sharp spikes, but it's not until after the final bell sounds that things get really out there. That's when the refs put up a mesh barricade around the ring and the bout's loser, WX, is forced to wrestle a goddamn alligator (yeah, they billed it as crocodile, but we all know better.) Of course, it's an awfully petite alligator, all things considered, and WX - has no problem wrangling his cold-blooded challenger back into his container. The best thing about the match, however, is the palpable embarrassment displayed by WX, who has a look on his face like "this is the stupidest shit I've ever had to do in my entire life" throughout the whole regrettable affair. 

#05
DDT presents the world's first Silent Match!



There is a fine line between idiotic and brilliant, and Japanese indie comedy fed Dramatic Dream Team (DDT) straddles the line better than anybody. It's kind of hard to tell whether the company is just plain offensive and stupid or if it is supposed to be some kind of sly commentary on the general offensiveness and stupidity of pro wrestling as a whole. While DDT has featured countless ideas that could be construed as both unfathomably stupid and subversively clever over the years - among other knee-slappers, one of their top performers for years has been an inflatable sex doll and they have the proud distinction of holding the first ever "gay or straight" match in the history of pro wrestling (which was essentially an "I Quit" match, only you had to make your opponent confess he was a homosexual) - but for my money, no match embodies the dual retardedness and genius of the promotion than the infamous "silence match" between NOSAWA and Muscle Sakai from 2007. What's a "silence match," you may be wondering? Well, it's a match where the competitors start off with three points, and every time they make an audible noise, they lose one. As a result, we get some truly inspired spots in this epic clash, including several moves performed in slow-motion, a mid-bout smoke break, brazen product placement for coconut water galore, a sequence where one of the wrestlers loses a point because he screams after his foe pinches his ass and the clincher - and quite possibly the greatest finish in any wrestling match ever: a grappler being disqualified for illegal flatulence. Forget Rauschenberg and Warhol and the rest of those dweebs; as far as I'm concerned, this is the real zenith of post-modern art. 

#04
Japan ... where inanimate objects wrestle, and sometimes hold championship belts!



Throughout the history of pro wrestling two pieces of hardware - ladders and tables - have played pivotal roles in some of the pseudo-sport's most iconic moments. So, leave it to the ultra obscure Japanese promotion Saitama Pro Wrestling Company (SPWC) to give the oft-utilized instruments the venue to shine without all those sweaty meatheads around to soak up the spotlight that I believe we can all agree is rightly theirs to begin with. It's not a terribly exciting match, by any means (in fact, the whole shebang is over and done with in less than a minute) and one can't help but feel a little underwhelmed by the competitors - a mini-step ladder and not one of those 20-foot metal monstrosities and a table that, if I didn't know any better, was decorated in such a way as to mask the fact there may have been someone underneath it moving it around. Still, the energy from the crowd makes this nonetheless one of the most surreal matches (or condemnations) you'll ever see in the wild and woolly world of pro 'rasslin. Still a little too high brow for you? Well, you can always fire up the Internet and check out some of the DDT Ironman Heavymetalweight contests, which includes a downright indecipherable deathmatch parody in which a half dozen competitors (one of whom is inexplicably dressed like Ryu from Street Fighter II) job to the company's defending strap holder ... a six-foot tall ladder

#03
Four words: Apartment Complex Pro Wrestling!



DDT is a company known for its, well, experimental, model. In addition to the kooky publicity stunts we've already drudged up (Home Depot supplies as champions, matches where the loser has to publicly announce he's gay, etc.), the promotion is also renowned for its extremely in-depth, pseudo-storyline-driven "matches" that take place well beyond the confines of the wrestling ring. In simpler terms? A wrestler shows up at a random place with a film crew, he tries to procure a service - like, oh say, visit a campground - only to have a million billion heels attack him in a long, winding single take movie/bout that often exceeds an hour in length. In 2011, DDT decided to embark upon their most ambitious - and perhaps, unintentionally brilliant - anti-match with an hour and a half long opus that saw star grappler Kota Ibusha (who, to those not in the know, truly is one of the best wrestlers on the planet), attempting to purchase a rental space (why he's dressed in his ring regalia while apartment hunting, I can't tell you.) For the next 90 minutes, he floats from floor to floor, encountering - and then beating the living dog shit - out of a whole host of bizarre characters, including, but not limited to, an S&M gimp we meet humping a birdhouse, a kickboxer who has tennis balls scattered all over his floor and probably not-of-age pron posted all over his walls and a guy whose sole possessions consist of inflatable pool toys and half-empty pots of water. It's even funnier once you realize that all of these wackos are actually pro wrestlers on the DDT roster - something tells me that you'd never see John Cena or Triple H agree to pretend to be homosexual lovers or have Roman candles launched at them for the sake of a comedic bit that's really more Jackass than Ring of Honor, which ultimately, makes the entire package all the more satisfying. Oh, and just wait until you get to the part with the impromptu watermelon eating-contest, the two-on-one brawl with the egg-throwing meth-manufacturing twins and the concluding rooftop battle, which may very well consitute the single greatest backyard wrestling match ever recorded on tape.

#02
Big Japan ... home of the Grocery Store Death Match!


Sometimes, the squared circle is just too dang restrictive when it comes to absurd violence possibilities. Sure, you can throw a lot of weaponry into the mix, but at the end of the day, you are still stuck pretending to beat the shit out of each other surrounded by four ring posts and a bunch of rope. To really maximize the creative destruction, you've sometimes got to step outside the confines of the arena and turn the boring, banal real world we all know and love into a smorgasbord of unusual brutality. Hence, the premise of this infamous 1995 Big Japan bout featuring up-and-comer Kendo Nagasaki doing battle against no less than four veteran challengers. Sure, things start off normal (well, normal enough by Japanese standards), with the wrestlers duking it out in makeshift ring outside the entrance of a grocery store. Well, as anyone who has ever watching 'rasslin before can tell you, the shenanigans most certainly will not remain locked to the ring (here, just a rain tarp surrounded by chicken wire.) About three minutes into the contest, the competitors are already brawling in the audience and whacking each other with chairs, and then, the fruit stand fucking gets it. Things only get weirder from there, with Pepsi cans becoming weapons of mass destruction, a wrestler having his face slammed into raw chicken and a segment containing quite possibly the only instance of a figure four leglock being applied in a bakery in recorded history. Oh, and you're going to love the part with the projectile hot dog cart - it's a real crowd-pleaser, to say the least. As asinine as it all is, probably the weirdest thing about the whole affair is the post-editing, which includes the use of this really out-of-place melodramatic moments and a few fourth-wall breaking segments where the action stops and we see wrestlers being treated for their injuries. And after all the mayhem and madness - including a very Platoon-esque sequence where the camera surveys all the broken glass and crates the wrestlers created - all of the competitors drop the violent madmen gimmick and act chummy as can be, even helping one another shave their eyebrows. Maybe it's a super-duper subtle allegory for the relationships between the U.S. and Japan in the wake of Hiroshima or something - 20 years later, I'm still not sure how any of us are supposed to interpret this stuff

#01
The first ... and hopefully only ... Alive & Dead Food Death Match!


Linguistically, we all acknowledge the term "death match" is a misnomer. Yes, they are indeed bouts in which performers intentionally mutilate and maim each other, but unless New Jack is one of the participants, I think it's safe to say that attempted homicide is never the core objective of the contests. That's what makes this 2010 tag team hootenanny between Jun Kasai and the Great Sasuke against the Brahman Brothers (the guys who pelted Kota Ibusha with ketchup in the Apartment Complex Death Match discussed above) such a hideously intriguing prospect - it's probably the only match out there that actually DOES involve the mass killing of living creatures as a part of the match stipulations. One part screwball comedy and one part Cannibal Holocaust, the thirty minute or so bout includes the use of several sea creatures as weapons; there's a spot where a snapping turtle bites one of the competitor's noses and a pretty gosh-dang hilarious bit where another performer smacks the shit out of another with a live octopus. Granted, your mileage may vary on the entertainment merits of such madcap mayhem, especially if you are one of those PETA-types that think you can't even sneeze on a kitten without committing a capital offense. That said, by the time the competitors start throwing flaming fish heads at one another and stomping live lobsters and lizards to death in the ring, you really, really have to start questioning the sanity of the Japanese citizenry. Once a fairly accessible bout on the YouTubes, finding the infamous Alive & Dead Food Death Match nowadays is a real chore, and it's pretty much impossible to stream anywhere online (since, in the wake of a bill authorized by Barack Obama in 2010, it's potentially material considered obscene under U.S. law.) Having now taken a near-urban legend status, this bizarre beyond interpretation throwdown remains one of the most talked about - yet rarely seen - "death matches" in the annals (anals?) of professional wrestling. 

And yeah, until we start actually killing people on purpose for our amusement, it's about as sadistic and unsettling as wrestling is going to get, I reckon. 


Saturday, October 31, 2015

An Ode to the Halloween Stores of 2015!

What better way to wrap up the Samhain season than a fond look back at all the wonder and whimsy supplied to us by the fly-by-night Halloween shops that -- much like the magic of the holiday itself -- will soon cascade off into the pre-Thanksgiving ether?



By: Jimbo X
JimboXAmerican@gmail.com
@Jimbo__X

Every year here at the Internet Is In America (uh, except 2013, for some reason) we close out the All Hallow's season with a fond, heartfelt recollection of the fly-by-night Halloween supply stores that popped up -- then quickly vanish -- from the hinterlands of metro-Atlanta. (For those of you feeling nostalgic already, here are the links for our first, second and third annual recaps.)

Ever the traditionalist, I reckon we ought to close shop on Halloween 2015 the same way we've wrapped it up every year since the year of our Satan 2011 -- with a photographic essay detailing all the odd, icky, and oftentimes offensive Halloween costumes, props and supplies that dumb people squandered their disposable income on since late August. Pop open a nice cold beverage and stash away a little Halloween candy for yourself, amigo ... it's time to wax nostalgic on what, as of tomorrow afternoon, will be nothing but a memory of what once was...



Despite my particular grievances with their use as generic genre film fodder, I suppose zombie props are as good a place as any to being our whirlwind tour of all things seasonal-supply store, no?



I'm especially intrigued by the electronic zombie displays, which seem to get goofier and more garish each and every year. I mean, where exactly can you go after selling motion-sensing animatronics of the undead springing out of the shitter? 


Of course, if you are more into classical decor, stores of the like have you covered as well. I also like the redundancy on the vampire and monster parking signs -- couldn't you have changed the verbiage on one of them to read "violators will be chased" or something?



And yes, you also get your more standard tee-shirts and mock zoot suits, pending you ever feel like cosplaying as a McDonalds Halloween bucket or the Samhain version of Matthew Lesko. 


It's always good to see Robert Englund's latex-soaked face on store shelves ... even if there is an entire generation growing up having no idea what a "Freddy Krueger" is, outside of a hokey Halloween costume that "old people" sometimes adorn. 


Ladies, don't you feel left out! If you so chose, you can wrap yourself up in some Freddy Krueger attack-inspired leggings, or even doll yourself up like Poison I...I mean, a gloriously nondescript plant-themed "Lethal Beauty!"


Although this spider skeleton thingie looks cool, my inner biology student is crying foul ... arachnids don't have bones, you purveyors of anti-science!


If dressing up like Jason or Max Headroom is too predictably 80's, why not dress up like Tom Hank's iconic character from Cocktail? Or is that his flight jacket from Days of Thunder? Oh well, not that it matters. Meanwhile, some stores are trying to convince you to spend $40 on DVDs of looping ghosts flying up to your TV screen going boo and shit. Naturally, I bought four of 'em. 


I know I've brought this up in Halloweens past, but the "pimp" section at certain retailers has always irked me. I don't know what's more troubling here: the brazen general cultural appropriation of urban violence and sexual debauchery or the fact they sell child-sized pimp canes


That's a really nice take on old Scratch. Why not fuse the devil and the Grim Reaper into one entity, anyway? If nothing else, it makes for a bad-ass unused Castlevania boss, at least. 



One of the things I LOVE about Halloween is that it's literally the only time of year you see certain objects on store shelves. Por exemple? Do you know how hard it must be finding plastic horror bicuspids for technical fruits around May?


The same goes for fog machine juice. I, for one, never knew there were this many competing brands of the stuff.


Of course, you can't really have a Halloween without funky-hued light bulbs. I always buy these things in bulk, just in case Obama has a mind to take these away from me like he did my old 40-watts.


When it comes to Jason rip-offs, this has to be one of the better costumes I've encountered. This kid totally could have been a WWF villain circa 1993. 



...and here we get three or four different unlicensed properties in one; with only twenty bucks in my pockets, do I vouch for the unauthorized Scream voice changer with the X-Files alien on it or the fusion Jason Voorhees/Hannibal Lector mask?


2016 being an election year and all, I suppose the political-themed masks were pretty much a given. Strangely, there weren't any Donald Trump costumes on display at this store, although they did have a cherubic JFK mask and one of Ronald Reagan, which looks so much like Zeke the Plumber from Salute Your Shorts that it's almost pants-peeing.


While the liberal politicos were well-represented, I saw nary a Jeb Bush or Marco Rubio mask anywhere. Although I suppose if you modify the eye holes in a Jabba the Hutt mask, you could probably mod it into a Chris Christie costume, if you really wanted to.


Not to get overly sociocultural here, but when it comes to appropriation of black culture in costume form, it's either civil rights hero or 1980s TV star, with virtually no costume selections in-between.


The best part? It doubles as a Morgan Freeman and/or Fred Sanford costume, if your friends are really, really ignorant. 


Yeah ... I am just as shocked as you are that PETA hasn't called for a boycott yet, either.


I think one of my favorite things about Halloween that wasn't one of my favorite things about the holiday before I started this blog is the hilariously nondescript titles given to obvious rip-off costumes. I mean, it isn't easy coming up with a marketing-friendly stand-in for "Richard Simmons," but "Exercise Maniac Character" was the best these folks could come up with? I bet these same people also offer a knock-off Charlie Brown costume, probably named "big headed yellow shirt depressed kid character" or something.


Get it! Because the sexual exploitation of women is funny!


Then again, there are quite a few costumes that are subtler...


... and more refined. 


The sad thing is, for the $50 asking price, you could probably buy enough ingredients to make $300 or so dollars in bathtub meth. 


Man, this makes me wish I would have bought that one Resident Evil 4 controller for the GameCube when I had the chance!


But if the more traditional blades are more your thing, you've got quite the assortment to choose from, as well. Including, uh ... gay pride machetes, I think? 


And lastly, we come to a cheap-o latex mask that is one part Freddy Krueger, one part Mars Attack alien and one part Tar Man from Return of the Living Dead. An over-priced, needlessly garish, utterly functionless piece of crap probably made by a half-starved Chinese child, modeled after a fusion of American media advents, mass marketed and sold on store shelves from Bangor, Maine to Spokane, Washington -- this, my friends, isn't just what makes Halloween great

Indeed, it's what makes this far and away the best time to be alive in the history of humanity. Happy Halloween -- and civilization -- folks!


Monday, February 13, 2012

The Absolute DUMBEST Alternative Rock Lyrics of the 1990s

Counting down the grunge era’s most idiotic libretto


You know, I really like 1990s alternative rock. I mean, a lot.

The thing is, even though it’s probably my favorite style and chronological point in music, that doesn’t absolve the genre from a few shortcomings, the most obvious of which was that, for the most part, the lyrics where incomprehensible, pointless, or  in many instances, just flat out stupid.

Sure, it’s pretty easy to look back on, oh say, the music of Cake or The Presidents of the United States of America and retroactively say that they were singing about some fairly stupid shit, but at least bands of the like tried to incorporate a little semblance of structure and narrative to their tunes. Granted, it may not have been exquisite poetry, but when you heard that bald a-hole singing about moving to the country so he could eat a lot of peaches, you kind of knew what he was talking about (presumably, he wanted to move to the country, most likely so he could eat a lot of peaches.)

Looking back on the alt rock standards of twenty years ago, finding songs that are even remotely that narrative-driven is a pretty daunting task. I guess we never realized it at the time, but the songs of our youth may very well have been the most oblique recordings in the history of recorded music. In more blunt terms: good lord, was our music stupid as all hell.

It wasn’t so much that our alt rock favorites were irreverent and irrelevant as much as they were stubbornly non-concrete. Abstract is one thing, but it seemed like in the 1990s, alt rock radio was ruled by refrigerator magnet poetry. Not only did the lyrics make zero sense most of the time, the stringing together of words to make those lyrics seemed an affront to English itself. I don’t care how much smack you have flowing through your veins, word jamming of the like is something that’s inexcusable even for such all-time juiceheads as that dude from The Brian Jonestown Massacre and that guy from Blind Melon that kicked the bucket before he could even collect his first royalty check from “No Rain.”

As such, I’ve decided to turn the dial back to two decades ago, and yank out the five worst examples of dumb, idiotic and irritatingly pointless lyrics that the NAFTA years had to offer. Some people call these tunes classics, and others call them stupid, absurd and intelligence insulting pieces of shit. And today? Buddy, we ain’t celebrating nothing for being “classic.”

Number Five
“Creep” by Stone Temple Pilots


Stone Temple Pilots were/are arguably the worst band to come out of the 1990s with the initials STP. While originally decried as a poor man’s Pearl Jam, Scott Weiland and his unfortunately non life-destroying heroin habit managed to parlay their success into a now twenty year plus career of being a poor man’s Pearl Jam, proving those egghead critics wrong as wrong can be.

The inherent awfulness of “Creep” is pretty self-evident. Granted, it’s kind of unrealistic to expect a band to churn out some high quality, Chaucer-like prose every time they enter a recording booth, but with lyrics like “feeling uninspired / I guess I’ll start a fire” and “everybody run / Bobby’s got a gun,” it kind of makes you wonder if the band even comprehended how rhyming works. It seems like Weiland is trying to make some sort of altruistic point with the chorus of the song, but he follows up “take time with a wounded hand / ‘cause it likes to feel” with “’cause I like to steal” which is followed up by a secondary chorus in which he bemoans being “half the man” he “used to be.” Using daily conversation as a framework, that’s like saying “nice weather” and “I’m a neurotic scumbag” without even bothering to throw in a comma somewhere.

Radiohead covered the same subject better, IMHO. Hell, even TLC trudged the same ground with more sure handedness. And as an eff you to English teachers the nation over, STP was ultimately saddled with a platinum selling record and even more drug money, proving that you can’t spell “success” in modern music without a fair amount of “suck” first.

Number Four
“Loser” by Beck


In the 1990s, a lot of music critics considered Beck to be something of a post-modern, generation-defining lyrical artisan. Also, a lot of music critics were high on angel dust all the time, so I think those two aspects might just be correlated.

As far as ‘90s standards go, they really don’t get anymore standard than “Loser,” a song that has been played so many times on modern rock stations that by now, Beck could probably buy his own archipelago and spend the rest of his days trying to hop from island to island on stilts made out of woolly mammoth bones. Some people say that the beauty of “Loser,” and by extent, Beck’s entire oeuvre, is in its disjointedness and absurdity. The reality is, Beck’s word salad is nothing that you wouldn’t hear spouted out of the mouth of your typical homeless schizophrenic, and when the works of Wesley freaking Willis have more substance than what you’re singing about, you know you’re just going through the motions.

“The forces of evil / in a Bozo nightmare,” Beck proclaims at one point, before going into a whirlpool of “phony gas chambers,” “burning down trailer parks” and random things “hanging from a chicken wing.” It’s like giving the play-by-play for a Luis Bunuel film to a blind person - yeah, you can condense the gist of it, but it’s a gist that will never, ever make any damned sense to anyone or anything. Beck was undeservingly hailed as a post-structuralist champion following the release of 1994’s “Mellow Gold,” which spawned this, his most popular track: incidentally, that was the same year SAT scores began a downward trajectory, wasn’t it?

Number Three
ANYTHING written by Rob Zombie 


Solo, in  a band, on a boat, with a goat, beside a moat, it really doesn’t matter: if you give Rob Zombie a microphone and/or an ink pen and a blank sheet of paper, pure bullshit is certain to follow suit.

Zombie doesn’t even ATTEMPT to make his “music” remotely lyrical. For one, to create lyrics, there has to be a sense of flow, intention and meaning, which are all alien terms to Mr. Zombie. Rather, he substitutes those things most people call “words” with random references to B-movies compacted with phrases that rhyme with the last word in those B-movie references to create the illusion of structure.

“El Phantasmo and the Chicken Run Blast-a-Rama.” Honestly, how much lyrical depth can anybody expect out of something with a title of the like? Meanwhile, half of “Thunder Kiss ‘65” is just the names of movies that came out in the 1950s, and “More Human Than Human” is almost entirely comprised of disjointed, unconnected things that kind of have stuff to do with “Blade Runner.” Not only does Zombie eschew composition in his work, he even found a way to eschew imagery in his lyrics, instead turning incoherent allusions and references to pre-existing texts into a literal formula for success. Virtually everything Zombie recorded in the 1990s, from “La Sexorcista Vol. 1” to “Hellbilly Deluxe,” followed the exact same pattern; self introduction, yeah, oblique nod to B-movie, yeah, a direct reference to a B-movie, yeah, chorus, rinse, repeat.

Man, it’s a good thing a guy that prone to the repetitive and formulaic never got into the business of making movies, huh?

Number Two
“Everything Zen” by Bush


Bush is everything wrong about the 1990s in one band. Really nothing more than a dime a dozen Brit-rock group, they were scooped up by Interscope Records following the death of Kurt Cobain and puffed up into the latest, greatest alt-rock stewards, based primarily on lead singer Gavin Rossdale’s Tiger Beat-ready hairdo.

Say what you will about Nirvana being overrated and over-celebrated (please do, because they were), but their influence on the market of alternative rock music is absolutely monumental. How many bands with wooly haired lead singers on heroin with rhythm sections composed mostly of feedback and wobbly drum noises can you recall from the years of 1993 to 1997? As long as you had something static sounding in the background and some guy just rambling on and on about incoherent nouns, odds are, you were mass marketed to the jaded, apathetic fifth-graders of America, the kinds of culture-deprived youths that would gladly save up two months worth of lunch money just so they could purchase the latest Sponge album.

Really, you can pick ANY song by Bush and label it as one of the most idiotically constructed lyrical abortions of this, or for that matter, any other year, but “Everything Zen” stands out because a.) it was the single that introduced the band to the masses, and b.) holy hell, are these lyrics super-duper-confoundingly-stupid.

There isn’t a single line in “Everything Zen” that makes a lick of sense. The structure of the lyrics simply do not connect from verse to verse, or even word to word. “There must be somewhere we can eat,” the song begins, already establishing the fact that we’re not in store for some Bob Dylan shit for the next three and a half minutes, before colliding into the couplet “Maybe I should find another lover.” And that’s probably the closest the song gets to anything resembling lyrical cohesiveness.

“Should I fly to Los Angeles?” the lead singer immediately follows, with the even more confounding line “and find my asshole brother?” Four lines into the song, and we have four separate narratives going on…and of course, the singer never ever returns to any of them throughout the rest of the track. Instead, we’re treated to complete nonsense about “faking with saints,” “rain dogs howling for centuries,” and in a line that brings Rossdale’s status as a non-retard into serious question, “Minnie Mouse has grown up a cow.”

Admittedly, it’s pretty hard to think of anything stupider than that…that is, until you take into consideration the virtual Rosetta Stone that paved the way for all of this lyrical absurdity to begin with.

Number One
“Smells Like Teen Spirit” by Nirvana


Without question, “Smells Like Teen Spirit” is the single most important song of the 1990s as far as lyrical composition influence goes. While obviously less heralded for the fact, it’s also far and away the stupidest song of the decade, an observation addressed by the guy that wrote it in several interviews.

What a lot of people never understood about “Smells Like Teen Spirit” is that the entire thing was an elaborate joke. Kurt, presumably under the influence of some more potent smack than usual, wanted to produce a song that was nothing more than “Louie, Louie” and “More Than A Feeling” merged together, with bullshit, exaggerated lyrics about angsty, disaffected youth staging a revolution against…well, stuff they really had no clue about. With a little, ahem, inspiration form Sonic Youth and The Pixies and the off-handed suggestion that he name the ditty after a line of deodorant, Smells Like Teen Spirit was birthed, inadvertently kicking off the greatest mainstream musical renaissance since the heydays of AOR.

People often call “Teen Spirit” a revolutionary anthem, which is sort of odd, since the lyrics of the song are about absolutely nothing. “Load up on guns, and bring your friends,” the song begins, before crashing into some junior high-quality, proto-emo poetry, “I’m worst at what I do best.” The structure of the song is incredibly disjointed, but it’s not until we get to the chorus where things get really, really idiotic.

“A mosquito, an albino, my libido…yeah!” Cobain yells, clearly indicating a countercultural call to arms against…uh, malaria, maybe? The song ultimately concludes with Cobain forgoing words altogether, spitting out a long, drawn out line of grunts that sort of rhyme with “sayonara” for about a full minute.

And like that, the great alternative rock movement of the 1990s began. With that in mind, is anybody really surprised that it was a decade dominated by half-hearted, nonsensical and chopped-to-all-hell fifth-grader prose afterwards?